For the fourth towel, I changed to a different set of weft colours. This one had less contrast again, with a blue and black weft. What a change in tone from the previous three towels! All the colours are still there, but much more muted.
Then I brought in the brightest colour of them all, the light green, and made the fifth towel with all the contrast, in black and green.
Then I did the last one in green and blue, a little less contrast and tonally more similar.
But wait! I finished the sixth and final towel only to realize I had tons of warp left on the loom. When I initially planned out the pattern, I thought the magazine allowed for an unnecessarily long warp, and upon getting to this point in the weaving, I realized that I easily had room for another towel. My first thought was to use the last of each colour to do a really variegated stripey weft, but I was sort of done with swapping shuttles and winding bobbins. I couldn't bear to waste such a pretty warp, though, all ready to go. I decided I'd use some spare 10/2 cotton I had, in white, without any stripes at all. This made something completely different and a bit unexpected and I really really like it. The colours are softened a bit, and the blocks look like changing transparencies of glass over the stripes of colours.
I don't know if it's just because of the change in the weather, but I got a real case of startitis this week, and began a second pair of socks for gifting, an out-of-the-blue artsy knitting concept, and I really have my eye on a new slouchy hat for fall... maybe some fingerless mitts... not to mention this baby from the new BrooklynTweed collection.
But before I get to any of that, I should catch you up on my weaving. I did get the skully napkins off the loom (seemed like they took forever) but I haven't gotten to hemming and finishing them yet. Instead, I got really distracted with these babies, a set of dishtowels using a bit of colour and an irregular twill weave to add interest.
There are six colours in the warp, and I chose two of those for the weft of each towel.
The first towel had a red and pink weft. The two colours didn't have much contrast, but it still looks quite nice:
Then came a towel with an orange and red weft:
Then one with a pink and orange weft. It looks quite similar to the last one, again since there isn't much difference between the red and pink, but there is still a different tone to it:
That last shot shows the design most clearly, since it's nice and close. There are warp stripes in six colours, weft stripes in two, and the overall pattern is an alternating 3:1 and 1:3 twill. The places where the twill changes is offset from the colour stripe changes, which makes the whole thing much more interesting and gives more colours to the eye. I can't wait to see how much better they all look, once they're washed and ironed.
Next time I'll show you the other weft combinations!
It's hard to follow up on those fluorescent green socks, but I had a couple more balls of the bright sock yarn from Knit Picks, and decided to knit it up, too. These ones were blue and orange, which is another crazy colour combination (unless you're an Oilers fan.) I decided to mix things up a bit with the stripes, and went from one row of orange to two rows to three rows and back again, keeping six rows of blue between. It doesn't look as dramatic as I thought it might - perhaps varying the blue stripes would help, as well. No worries, they are still cozy and fun socks, and my sock drawer is starting to look pretty wild!
I've actually been working on so many projects lately that I don't even know where to begin.
I finished my third Camp Loopy project on time, last month - this one was a lovely garter stitch wrap called Edge (Ravelry), which uses short rows to make little wedges of colour. I used the Loopy Ewe's solid series yarn, incorporating a couple of neutral browns with a lovely clear blue for the accent colour.
It took a fair bit of yarn and a good chunk of my August knitting time, but since it's garter stitch, it went pretty fast. The colour changes and short rows helped to keep it interesting enough, too, that it seemed to go fairly quickly, even if it took a few weeks.
The pattern specified a particular type of bind-off, to allow lots of stretch for blocking, but I found that the bind-off was a bit too stretchy, since when I blocked it (and I stretched it out beyond the recommended dimensions) the edges still ended up a bit ruffly. Next time, I'd use a regular bind-off, probably. Yes, there will probably be a next time, since this one is intended to be a gift, and I would really love to make myself one in a different colour scheme. Lord knows I have plenty of sock yarn to make up something pretty for myself.
Overall, I really like the wrap - it's nice and big, and the garter stitch is so squishy and comfy. I think it will be really perfect for cozying up in for a night of reading in the dark of winter.
I decided a while ago that something I need in my life is a set of fancy cloth napkins. It's all because there was a cool project in a recent issue of Handwoven (Mar/Apr 2014) for some napkins with an allover mini-overshot design, and I really fell in love with them. Of course I had to change everything about the project to make it more 'me' and thus the skully napkins were born.
For non-weavers, "overshot" is just a type of weaving where you weave a base cloth in plain weave (in this case, grey) while making a design within that fabric with another yarn (in this case, black.) The base cloth holds it all together, while the pattern makes it fancy.
I took this particular design from Bertha Gray Hayes' book of mini overshot designs. She called this one "Gone With the Wind" but when I look at it, I see stacks and stacks of little skulls, like the catacombs of Paris.
As I was sitting there working on the HBC shawl a few weeks ago, one of my knitty girlfriends was working on a Baby Surprise Jacket. I was thinking about all the leftover coloured yarn I would have from the shawl and then I had an epiphany: an HBC BSJ!
I was intending to wait until after the summer to start it, since I have a few time sensitive projects these days, but then I realized I have a bit of time before the August Camp Loopy project starts, and I couldn't bear to think of finishing the sweater I'm working on in this oppressive heat, and a BSJ only takes a few days... So I cast it on and knit it up, squeeing all the way.
I thought about a few ways to incorporate the stripes, either right at the beginning (i.e. just after the sleeve cuffs) or through the main part of the body, but because the jacket itself is so wee, the stripes would have to be thin single ridges of colour to fit in most positions. In the end, I decided to put them in the "work the middle 90 stitches for 10 ridges" part of the pattern so they would just be in the hem area around the bottom, but had to upsize that section to 14 ridges to accomodate all of the colours in a 2-ridge width. The jacket ended up looking a bit long, but when I blocked it, I tugged it a bit wider and shorter and it turned out fine.
I was planning to get some little blonde wood buttons, but then I found these darker dyed wooden ones with little leaves on them, and they were so enchanting and perfect for a little outdoorsy baby that I bought them on the spot.
I still have tons of yarn left over, so I might just make this my new go-to baby gift.
I do love to have a stockingette sock on the go, ready to grab in an instant when a project is needed on the fly, or just around when I need some simple meat & potatoes knitting. One of the simplest ways to jazz up a simple stockingette sock is to pick a couple of cool colours and make a little stripe. My personal go-to stripe has been a 3:1 ratio, for a few years (that is, three rows of background colour to one row of accent colour.) I find that this ratio will use the two colours up pretty evenly, if the accent colour is also used for toe and heel and cuff. This time, I decided to keep that ratio but double everything, so I was doing six rows of background to two rows of accent. That way the accent stripes were a little bolder, as if these socks weren't bold enough.
The yarn is from Knit Picks Neon Stroll collection (now nearly sold out, but hopefully they'll bring some back, soon.) The green is the one that caught my eye, a true neon green that took me back 30 years or so, to the days of multicoloured rubber bangles and layered ripped sweatshirts, worn off the shoulder. I thought the purple would be the best colour to accent that green and voila! The brightest socks ever.
Of course, the thing that prompted me to finally write a post about the June shawl yesterday was because I have another shawl to write about today!
Since I was a kid, I've always loved the iconic look of the Hudson's Bay Company point blankets: a simple off-white blanket with the four wide stripes of colour. It's an instantly recognizable symbol of Canada (though admittedly not always a good one.) As they cost hundreds of dollars, I've always relegated it to the "someday" pile.
Much to my happiness, the second project for Camp Loopy was to knit something up (using at least 600 yards of yarn) that is somehow reminiscent of a favourite place. I instantly thought of the shawl Point, based on the concept of the classic HBC blanket.
The Loopy Ewe carries about a million colours of solid fingering weight yarn, in 200 yard skeins, which make it easy to stock up for striped projects. I got one little skein each of the colours (and have just tons left over) and then three skeins of the Ivory. The pattern only calls for two, but since that would give me essentially a one-skein sized shawl (like the one I posted yesterday) I elected to upsize it a bit.
The main body of the shawl is a little knit-purl pattern that adds just enough texture, particularly in a simple ivory colour, and then mindless garter stitch to make the stripes. Because I'd upsized the shawl, I also decided to make each stripe three ridges of garter stitch instead of two (i.e. six rows of knitting instead of four.) I really like it, since the stripes in the blankets are so fat and I didn't want these ones to be too thin.
Much to my dismay, the red yarn bled a bit into the ivory as it was washed. I tried a second soak to minimize it, and while that did work to some extent, you can still see the little bit of red there, if you are looking for it. I suppose I'd better wash the rest of the red before I make anything else with it, and keep that in mind in future.
Having pulled it up from drying on my bedroom floor, I couldn't wait even a moment to try it on for a selfie, without any makeup or even a sensible look on my face.
While I might be quite tardy in blogging about Camp Loopy this summer, I've been pretty timely about getting my projects done.
The first project (the June project, that is) called for something smallish, only 400 yards, that reminds you of a favourite book/movie/tv series. I scrolled through my Ravelry favourites list for inspiration, and quickly came upon a little shawlette that I've been wanting to make for ages. It's named Henslowe, after Philip Henslowe, a real theatrical contemporary of Shakespeare, who was portrayed by Geoffrey Rush in one of my all-time favourite films, Shakespeare in Love.
I chose madelinetosh for this project - their fingering weight wool single called Tosh Merino Light - in a colourway they call Cherry, but I see as many shades of fragrant roses.
I went down a needle size to get the specified gauge for the project, but having done so, it seems to have turned out a bit small for my tastes. It will work well as a scarf but isn't really sufficient for a shawl. It looks so lovely in this yarn, though (go ahead and click on that photo for a close up and try to deny it) that I am tempted to make another in a different colour, this time with two skeins, and make it both wider and taller in the garter stitch portion before doing the lace edging. Then again, there are so many things to make, that who ever has time to revisit something a second time?
Living life somewhere in the grey area between Liz Lemon and Nancy Botwin. I live with my beloved Heterosexual Life Mate (HLM), no kids, two beautiful feline ladies, and what I can only assume are self-replenishing stacks of fabric and yarn.
rstovin on ravelry